Winner of
the Susan Smith Blackburn Prize and the 2004 Pinter Prize for
Drama.
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This is a lovely and ambitious play, suffused with generosity of
spirit, from a writer whose courage, wit, and intelligence has always
moved and inspired me. It’s about human connection under duress,
and Miller honors her subject’s vastness, fragility, and elusiveness.
She explores the various means — confession, observation, investigation,
fiction — through which people seek out and seek to sustain relatedness.
Among the play’s virtues is that it reminds us that worlds are destroyed
when human relationships unravel, and when worlds come unraveled
it is only relationships that sustain life. If it is the case that
this all-important skein of connection is assembled through discrete
moments as brief as eye contact, as Miller seems to suggest, then
it is true that in these discrete moments, worlds can be redeemed.
Tony Kushner, Pulitzer Prize-winning author
of Angels in America, Homebody/Kabul, and Caroline,
or Change
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A Map of Doubt and Rescue is a kind of theatrical poem — characters
are words, their longings delicious rhythms, their memories lyrical
motion. It is a play, trying to remember itself, trying to reassemble
meaning — full of the richest loneliness and language.
Eve Ensler, author of The Vagina Monlogues,
The Good Body, and Necessary Targets |
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A Map of Doubt and Rescue is one of those rare works of art in which
structure and meaning come together perfectly, taking its audience
on a journey, in which, to paraphrase T. S. Eliot, we return to
the place from which we began and know it fully for the first time.
That theatrical journey celebrates art, vision, forgiveness, and
above all our human interconnectedness which exists despite the
limits of individual perspective. We leave the theatre assured that
our private rooms open onto larger vistas which touch and are touched
by all humanity. Susan Miller’s play is a remarkable, lyrical achievement
in theatre.
Francis Gillen Editor, The Pinter Review |
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"We all make mistakes, of course, and most of us try
to put them behind us as rapidly as possible. But on stage at this
year's Ojai Playwrights Festival, mistakes in life were as often
as not celebrated by characters as diverse as a Pulitzer Prize-winning
editor, a great Russian poet and an ambitious young politician.
Susan Miller, a two-time winner of the Obie Award, expressed this
theme most eloquently in the play that climaxed the festival, her
spectacularly original Map of Doubt and Rescue. The play opens with
a newspaperman looking for goofs for his "Mistakes" column.
He wants not to mock or lecture his readers, but to show them, he
says, how "to dissolve the properties of the word 'mistake'
and imbue it with some kind of glorious, shattering possibility."
The play instantly puts him to the test. No sooner has he found
a social miscue for the column then his wife (played by Judith Light)
arrives to say she's leaving him. While he's trying to talk to her,
he's interrupted by a call. It's good news, he's told, but when
he takes it, his wife leaves. He's won the Pulitzer for convincing
readers that mistakes can be opportunities. But how will he convince
himself?
Having brought out this theme, the play swerved into a dramatic
landscape rich in character, incident and comedic wordplay, but
with a minimum of plot. The play calls for eight actors, all of
whom took on multiple roles save for Michael Gross (the touchingly
idealistic newspaperman). By design, the actress who portrays the
wife becomes a studio executive making a film based on the book
the estranged wife wrote about the failing marriage. The actor playing
a goofy film nerd becomes a hot young screenwriter uncertain of
the worth of the movies. An American girl who identified with Anne
Frank becomes a Serbian poet who adores the movies. The ever-changing
characters swim through each other's lives, finding the humor in
their differences, sharing their sorrows and often finishing each
other's sentences. It's easy for them: they may appear different,
but they have so much in common."
VENTURA
COUNTY REPORTER |
Cast of Ojai Playwrights Conference workshop:
Paul Adelstein, Karen Aldridge, Michael Gross, Judith Light, Zachary Quinto,
Leo Marks, Nealla Gordon, Liza Weill, and Noah the dog |
Rehearsal photos from OJAI Playwrights Conference

Director, Abigail
Deser, rehearsing with Judith Light

order online at amazon.com
or
order
from University of Tampa Press

Liza Weill (Also a
regular on WB's Gilmore Girls)

Judith Light and Zachary
Quinto
Director and Playwright
Link to Conference Website:
The
Ojai Playwrights Conference - Celebrating and nurturing the best in new
American Theatre.
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